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LotR re-read: Return of the King VI.4, “The Field of Cormallen”

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LotR re-read: Return of the King VI.4, “The Field of Cormallen”

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LotR re-read: Return of the King VI.4, “The Field of Cormallen”

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Published on October 18, 2010

The Return of the King by J. R. R. Tolkien
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The Return of the King by J. R. R. Tolkien

This week in the Lord of the Rings re-read, we consider “The Field of Cormallen,” Chapter 4 of book VI of The Return of the King. Spoilers for the entire book after the jump.

What Happens

The armies of the West are being defeated when the Eagles arrive. Shortly after, they all see the Black Gate crumble and a vast shadow rise and dissipate in the wind. Gandalf announces that Frodo has fulfilled his quest and asks the Eagles to bring him to Mount Doom. There, they rescue Frodo and Sam from a small hill, which Sam had convinced Frodo to move to.

Sam wakes in Ithilien two weeks later, finding to his surprise and delight Gandalf (alive) and Frodo (still missing a finger but healed). They are brought to a great field where Aragorn greets them and places them on a throne, and listen to a minstrel sing of Frodo of the Nine Fingers and the Ring of Doom. At the subsequent feast, they are reunited with the remaining members of the Fellowship. Among other stories, Gimli tells of finding Pippin under a heap of bodies. About three weeks later, they return to Minas Tirith and wait for the morning, when Aragorn will enter the city.

Comments

Somehow I’d forgotten that the rescue of Frodo and Sam happens so soon, page-wise, after the Ring’s destruction. I think I got this chapter mixed up with the next, when we go back in the timeline to see Faramir and Éowyn.

(As for the logistics of the rescue, we talked at length about why not use the Eagles earlier way back during “The Council of Elrond,” which I recommend if you’re new here, or just to refresh your memory; but please do feel free to add your own thoughts.)

Another interesting thing about the rescue is that, though last chapter we left Frodo with peace in his eyes, this chapter he has clearly not been reset to his pre-quest state. When Sam says he doesn’t want to give up yet, Frodo responds:

Maybe not, Sam, but it’s like things are in the world. Hopes fail. An end comes. We have only a little time to wait now. We are lost in ruin and downfall, and there is no escape.

Which, uh, that’s “trapped in a post-apocalyptic world” talk, not “we just vaporized the single biggest active source of evil in our world” talk. Or, as we discussed last time, “affected by serious psychological issues” talk. At any rate, it’s a very small part of this chapter, which is generally very non-depressing, but it’s worth noting as setup for the rest of the book.

* * *

Before we move away from the start of the chapter, there are a couple of things I wanted to mention about the scene before the Black Gate that opens the chapter. First, Aragorn and Gandalf are depicted as silent and still during the fighting, visible under banner and on hilltop, respectively, not in the thick of the fighting. It’s entirely sensible for them to be acting as generals and visible-sources-of-hope, and yet not what I am conditioned to expect from fantasy novels, which probably says nothing good about genre conventions.

Then, of course, there’s the Eagles, whose coming echoes back to The Hobbit in a way that shouldn’t be intrusive to those who haven’t read that book. It’s the same phrase, of course, but that’s not flagged in the text, and the Eagles aren’t critical to winning the battle, just to rescuing Frodo and Sam after it’s all over. Still, I think it’s a nice little resonance.

A more explicit resonance is yet more wave imagery, this time in Sauron’s shadow-shape “rear(ing) above the world” and “lean(ing) over them” before dissolving. This image will also return at Saruman’s death, several chapters from now.

Finally for the battle, there are some interesting bits about the nature of those fighting for Sauron. All of them are directly influenced by Sauron’s will, which “fill(s) them with hate and fury,” and when that will is removed, they feel fear. But the species react differently when Sauron is destroyed. Those who are his “creatures,” whether “orc or troll or beast spell-enslaved,” become “mindless” and lose all interest in the battle, killing themselves or fleeing to hide. Which I wouldn’t have expected from the way the Orcs we’ve previously met behaved; they seemed to have more individual personality than is consistent with being so heavily dependent on Sauron for their motivations. In contrast, the humans choose whether to continue fighting in their hatred and pride, or to flee, or to surrender. This suggests to me that the non-humans do not have the ability to choose between good and evil, or, interestingly, even the ability to continue in evil after Sauron’s destruction, as none of them continue to fight. (From what I can recall, there’s no explicit mention of fighting non-humans from now on. The end of this chapter talks about fighting Easterlings and Southrons, and the mention of Éomer riding to war beside Aragorn in Appendix A speaks only of “many enemies” and riding “beyond the Sea of Rhûn and on the far fields of the South.”) And that may be a logical extension of the idea that the non-humans under Sauron’s sway don’t have full free will, but it’s still rather unusual.

* * *

The section where the minstrel sings Frodo and Sam’s story. This is another “wow, I am so not the audience for this” moment, because I cannot imagine myself as Sam or, particularly, Frodo, sitting and listening to that. I mean, the last time I left a job, I could barely stand the very brief “thanks, you’ve been great” speech at my leaving party. At least an hour’s worth of a minstrel singing my praises, while sitting on a frickin’ throne (wearing tattered Orc-rags, better still) in front of everyone? I think the sheer weight of my embarrassment would cause me to just slide off the throne and sink right into the earth.

I can envision that Sam has a different reaction, but Frodo? He doesn’t say anything despair-ridden after waking up, but I can’t imagine that he could listen to the tale of his anguish and failures without some serious emotional distress, even in the context of everyone praising him.

I do like the description of literary catharsis as having one’s heart “wounded with sweet words,” so that “pain and delight flow together and tears are the very wine of blessedness,” however. That I certainly recognize, the desire to read or listen to something that will make me cry, but in a good way.

* * *

It’s nice to see the Fellowship reunited at the feast after. Pippin made me smile when he told Sam and Frodo, “We are knights of the City and of the Mark, as I hope you observe.” I note that Gandalf insists Frodo wear a sword to dinner—is this only a matter of what’s proper formal dress, to go with the “circlets of silver upon their heads”?

Some other miscellany:

Merry and Pippin have grown three inches, which is significant indeed when the tallest hobbit previously was only 4′ 5″.

Gimli helpfully tells us how Pippin lived, though in an unfortunately clunky passage; I think it would been less obviously an expository lump if someone else had said it, or if it had been spread across dialogue rather than in a monologue.

Even this reunion has in it the seeds of separation, as Legolas leaves singing of the Sea and how “I will leave, I will leave the woods that bore me.” I don’t think there’s a way for the reader to extend this idea to Frodo yet, but if there’s such a thing as retroactive foreshadowing, I think this would qualify.

* * *

They spend about three weeks there before returning to Minas Tirith to see “again the white towers under tall Mindolluin, the City of the Men of Gondor, last memory of Westernesse, that had passed through the darkness and fire to a new day” (isn’t that gorgeous?). This feels weirdly leisurely, even if the explanation in the text is sensible, and I think it’s because we don’t know yet what’s been happening in Minas Tirith in the interim. Which, happily, is what we’ll get next chapter.

* * *

And now, some silliness. Note: earworm warning, children’s song version.

SteelyKid is just over two years old now and, as toddlers do, likes us to sing “The Wheels on the Bus”—which she requests as “round and round,” since the first and last verses are, for the unfamiliar,

The wheels on the bus go round and round, round and round, round and round,
The wheels on the bus go round and round,
All through the town.

The standard verses involves things and passengers on the bus (some of which presume a public transit model, though I personally prefer a school bus model since that will be more immediately relevant to SteelyKid). Chad, however, likes to make up new verses; you can find some of them, mostly physics jokes, at his blog.

One day as he was telling me a new one, I found myself starting to make up Tolkien verses, and then we were both off and running. Here’s what we’ve got so far; the first five are mine (well, Chad polished the last one), and the rest are his.

  • The hobbits on the bus eat six meals, eat six meals, eat six meals;
  • Gollum on the bus says “My precious,” “My precious,” “My precious”;
  • The dwarves on the bus delved too deep, delved too deep, delved too deep;
  • The Nazgûl on the bus have nine Rings, have nine Rings, have nine Rings;
  • Gandalf’s on the bus, you shall not pass, shall not pass, shall not pass;
  • The Balrog on the bus is smoke and flame, smoke and flame, smoke and flame;
  • Gandalf as he falls cries “Fly you fools,” “Fly you fools,” “Fly you fools”;
  • The Trolls on the bus all turned to stone, turned to stone, turned to stone;
  • The Strider on the bus is still not King, still not King, still not King;
  • The Narsil on the bus has been re-forged, been re-forged, been re-forged;

    and, finally,

  • The Rohirrim prefer to ride a horse, ride a horse, ride a horse.

(Bonus movie verse: The Orcs on the bus have a cave troll, a cave troll, a cave troll.)

Yes, this is what life is like here in Chateau Steelypips.

Contributions? Revisions? Requests to go away and never speak to you all again?


« Return of the King VI.3 | Index<!– | Return of the King VI.4 »–>


Kate Nepveu was born in South Korea and grew up in New England. She now lives in upstate New York where she is practicing law, raising a family, and (in her copious free time) writing at her LiveJournal and booklog.

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DemetriosX
14 years ago

Actually, the connection between the Eagles and The Hobbit is flagged in the text. It’s just that it gets flagged at the end of Book V. As the troll falls on him and he hears people shouting about the eagles, Pippin’s last thought is something like, “No, wait. That was Bilbo’s story, not mine.”

While waiting for the end, Sam gets very meta again, talking about being in a story and all. It’s interesting that the title he gives the tale is exactly the same one the bard uses later. I suspect Frodo had a hand in that.

Like you, I find being in the position that Sam and Frodo are in during the ceremonial bits utterly cringe-worthy. I think I’d be wishing the eagles had come just a little too late. That said, for the first time I see C.S. Lewis cribbing from his pal Tolkien again. The scene at the end of TLtWatW where the Pevensey children a crowned and enthroned is very reminiscent of this scene.

I think the reason the orcs and the evil creatures all run for the hills while the men keep fighting is that they are creatures of darkness. It has been emphasized several times that it is unusual for orcs and trolls and whatnot to be abroad by daylight. It is implied that this is a sign of Sauron’s growing power. Now that that power has been destroyed, they are no longer sustained against the sun and flee back to their tunnels and caverns.

This is another one of those “restful” chapters where not much happens other than a bit of talk. Tolkien seems to be fond of them right after some major action. What’s odd is that the next 3 chapters are very similar. It’s very realistic, but an odd choice in a literary construct.

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14 years ago

Thanks Kate, I will be singing that song to myself for the rest of the day.
how about:
The eagles on the bus save the day, save the day, save the day.

when I first read it was a relief when the eagles arrived just at the right time to save Frodo and Sam, This time it seem a bit too convenient, (like the orcs forcing the across Mordor) but I can’t think of a better way they could have been reintroduced.

It seems reasonable that the orcs morale would be broken when the Sauron is destroyed, they don’t have much discipline at the best of times and need a bigger bully than them selves to keep them under control.

The Orcs on the bus fight at the back, fight at the back, fight at the back, all day long (or until they are kicked off by the driver and have to walk home)

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Del
14 years ago

I don’t understand why more people don’t grok that giving the Ring to Gwaihir, or any Eagle, is exactly as dumb as it has been established that giving it to Gandalf or Galadriel, or even Aragorn or Boromir, would be.  Is it that they think they’re just useful tools for picking things up with? 

If Jackson has to do his Hobbit project, I hope he will at least take the opportunity to educate the movie-going public about that.  Eagles aren’t forks!   

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14 years ago

Best earworm *ever*. Thank you.

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14 years ago

I didn’t like thia chapter much. I felt that Frodo was being pushed around too much. Wearing the hated Orc-rags? bleh. Having to wear a sword at dinner? blah. Sitting through a song that just sounds meant to remind you about the finger you lost? blargh.

Maybe it is intended for the audience army, but it feels too much like Frodo was pushed into it.

The movie of the books changed too many things, too many things, too many things…

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Lemnoc
14 years ago

Tom Bombadil mounts an eagle. Flies to Mt. Doom. Drops in ring.

Doesn’t have the same scale or scope or drama… but one wonders why, what with the cosmological stakes involved, it didn’t happen just that way. Wasn’t Tom on the order of Valar?

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14 years ago

Even if you could persuade Bombadil to do it, he’d only get distracted half way across the Misty Mountains and drop the ring, starting the whole wretched business all over again.

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firkin
14 years ago

Someone alluded to it in comments for the last chapter, and i’m now really curious about the amputation theme: nine-fingered Frodo, Beren One-hand, and the others. Anyone have insight on this? Is there something about sacrificing the hand in particular that’s significant for Tolkein specifically, or to do with Catholicism or Christianity?